Questionable content? Questionable Content is a cut-of-life webcomic composed and represented by Jeph Jacques. It was dispatched in August 2003 and as of April 2021 arrived at its 4,500th comic. The plot initially focused on Marten Reed, an independent stone fan; his humanized PC Pintsize; his flatmate, Faye Whitaker; their common companion, Dora Bianchi; and their neighbor Hannelore Ellicott-Chatham. Notwithstanding, after some time a supporting cast of characters has developed to incorporate workers of the nearby bistro, neighbors, and androids. QC's narrating style consolidates heartfelt drama, situational satire, and sexual humor while thinking about inquiries of connections, sexuality, managing passionate injury, and man-made brainpower and futurism. Jacques has made his living only from QC promoting and publicizing. By 2004, Jacques could uphold himself and his then-life partner dependent on pay from product and publicizing deals In 2003, Jacques worked at a neighborh...
Questionable content?
Questionable Content is a cut-of-life webcomic composed and represented by Jeph Jacques. It was dispatched in August 2003 and as of April 2021 arrived at its 4,500th comic. The plot initially focused on Marten Reed, an independent stone fan; his humanized PC Pintsize; his flatmate, Faye Whitaker; their common companion, Dora Bianchi; and their neighbor Hannelore Ellicott-Chatham.
Notwithstanding, after some time a supporting cast of characters has developed to incorporate workers of the nearby bistro, neighbors, and androids. QC's narrating style consolidates heartfelt drama, situational satire, and sexual humor while thinking about inquiries of connections, sexuality, managing passionate injury, and man-made brainpower and futurism.
Jacques has made his living only from QC promoting and publicizing. By 2004, Jacques could uphold himself and his then-life partner dependent on pay from product and publicizing deals
In 2003, Jacques worked at a neighborhood paper in Easthampton, Massachusetts noting phones. As per Jacques, a lot of spare energy and admittance to the Internet drove him to peruse webcomics "as something to do".
Jacques expressed, "I've generally been truly inspired by music, and nonmainstream rock explicitly, and I never saw whatever other funnies that managed that part of our way of life. I felt like there was a specialty there that would work. Jacques posted the main QC on August 1, 2003.
Jacques makes his living from QC marketing and promoting. By 2004, Jacques could uphold himself and his then-accomplice dependent on pay from product and publicizing sales. Merchandise has included planning T-shirts for the characters in the comic to wear, then, at that point selling genuine T-shirts of the equivalent design.
As of 2008, Jacques had not extended his business outside the comic and related product. The comic is likewise upheld by contributors through Patreon.
Jacques advanced the comic in various manners including joining Day free Press for quite a while and beginning a phony quarrel with Sam Logan, the maker of Sam and Fuzzy, exchanging affronts while connecting to one another's comic.
Questionable Content was initially refreshed double a week and was subsequently knock to three strips every week. In September 2004, Jacques left his normal everyday employment to start refreshing Monday through Friday.
As per Jacques, at one point he would have looked for a paper partnership for Questionable Content, yet the idea not, at this point spoke to him since he would not like to give up the article opportunity.
The webcomic has been distributed in actual books; until this point, six volumes have been delivered, covering strips 1–1799. The primary print assortment includes the absolute most punctual strips redrawn in Jacques's workmanship style at the hour of the book; Jacques said this was on the grounds that he didn't have high-goal duplicates of some old strips.
What Is Content Validity?
the managerial workforce who settle on its utilization, and other actually undeveloped spectators. Content validity requires the utilization of perceived topic specialists to assess whether test things survey characterized substance and more thorough factual tests than does the appraisal of face validity.
Content validity is regularly tended to in scholastic and professional testing, where test things need to mirror the information really needed for a given point region (e.g., history) or occupation expertise (e.g., bookkeeping).
In clinical settings, content validity alludes to the correspondence between test things and the side effect substance of a disorder
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